2014年4月5日星期六
Daisy de Villeneuve
She’s been drawing in felt-tip since the age of three, but unlike the rest of us she’s forged a brilliant career out of it. Daisy de Villeneuve’s illustrations have adorned everything from Topshop shoeboxes to the pages of Vogue, but, says the fashionista, it hasn’t always been an easy ride.
It’s always referred to as childlike or naive, which shedon’t mind. she is known for drawing with felt-tip pens, but the end result is quite modern and worldly once she had added words to the picture and like the handmade feel to it, the rawness, when you can see the overlapping pen marks showing through.Topshop, Moët and Chandon, the V&A, British Vogue, Elle Decoration, Nylon, Lula Magazine, Habitat, Nike, Browns Focus, Boots, Random House in both the USA and UK, the Fashion and Textile Museum and Transport for London is her main clients.
she think it’s important to do both commercial work and exhibit. she think they are different forms of expression and markets too. Her commercial work is normally aimed at a target audience – the work she designed for Topshop is more teenage orientated, and she always think about the consumer when she sit down to draw. Commercial work pays the bills, so is a necessity, but she also really enjoy it and seeing her work in shops.
As for clothing brands she like the classic style of Margaret Howell, A.P.C., Isabel Marant, Sonia Rykiel, plus Diane von Furstenberg , Ralph Lauren and Zac Posen because he makes dresses that fit well on any shape plus he’s a good friend of he.
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